supersteady.org

Single artwork for Armi Millare

For Australian Financial Review’s annual “Young Rich” issue, on the generational divide in the Australian housing market

Illustration for a story entitled “Birdwatching”—a mother’s moving account of the confusing and contradictory emotions born from the loss of a twin in utero, published in Good Weekend magazine

Reflections of a sperm donor, published in Good Weekend magazine

A screenprinted zine produced in collaboration with Sach Castillo. Four colours, A5, 16 pages, edition of 50.

A long-time volunteer worker on the bureaucratic hurdles facing volunteers today, in Good Weekend magazine

T-shirt design for Freely Australia

Sibling pandemic project—a zine of my sister’s photos from her walks in and out of lockdown in endtimes Melbourne, to benefit food security and asylum seeker support efforts in Manila and Melbourne. Photography by Arianna Lim. A5, 32 pages, edition of 40.

Artwork for Vex Ruffin’s LiteAce Frequency Remixes

Album art for Parallel Uno

An illustrated quote from Michael Chabon’s “The Losers’ Club”. 12-page booklet, 10.5 x 15 cm. Three colours, screen printed and saddle stitched. Unsigned/unnumbered edition of eight.

Unpublished cover study for a middle-grade novel

From a series of illustrations for Wish magazine’s Italy issue

A pocket guide to Philippine mythical creatures—a school-holiday side project created with my son, to introduce him to the nightmare fuel of my own childhood. Torn paper collages photographed and screen printed into a 22 pp., 10x14 cm, 4-colour booklet. Available for purchase here

Illustration for noplasticwaste.org, an initiative created by the Minderoo Foundation that imagines a world free of plastic waste—aimed at stopping the flow of plastics into our environment at the source.

From a series commissioned by Canto in Baguio City

Back + front cover for a zine produced as part of a wedding invitation

Cover and chapter illustrations for the Filipino translation of “La Tribu dels Zippoli” by David Nel·lo. Translation by Emelina S. Almario, published by Adarna House.

The evolution of wines and wineries in China for Gourmet Traveler WINE magazine

For a piece by Trent Dalton in the special Brisbane issue of The Deal

Poster for the (fictional) cult classic of “horrorticulture”—“The Black Swamp,” from “Plants With Bite,” a collaborative exhibition on the theme of carnivorous plants by artists from The Illustration Room, displayed at The Calyx, Royal Botanic Garden, Sydney.

Illustration to accompany Tim Winton’s “Love Letter to Australia” in the January 2019 issue of Qantas Travel Insider

8-page risograph-printed zine with foldout poster on reverse, published by Little Big Time Press—available [here]

Cover for EK Gonzales’ Jumper Cable Chronicles: Si Santa Anita, published by Adarna House, 2018.

Illustrations for the summer 2018 issue of Och Tamale, the University of Redlands’ alumni magazine.

Illustrations for Lodestars Anthology’s India issue

Cover for Mookie Katigbak-Lacuesta's new collection of poetry, published by University of Santo Tomas Publishing House

Four-colour screen print, edition of 5

Part of a series of illustrations commissioned by Boab Design for LIAM Charitable Fund's methanol poisoning awareness campaign, aimed at travellers to Bali.

A cover mock-up for an unpublished YA book project

Wet-printed postcards combining projected negatives and contact-printed transparencies.

Ongoing collaborations with Ground Bravo on the artwork for their portfolio of scores for film and digital advertising

Chapter openers for a book published by Hardie Grant Media for Mercedes-Benz Australia/Pacific

A collaboration with my 6-y.o. son: a 3-colour, hand-pulled A3 screen print folded into a six-page mini-zine. Featuring: Giant Robots! Aliens! Dinosaurs! Kaiju! Onigiri! Tuna! Plus smudges from little fingers and wonky registration. (My son is a “broad strokes” guy).

A few copies are still available here.

Album artwork for Rafael and the Aqua Pang

Poster for the 2016 Gibraltar World Music Festival

1/10 screen prints for 5 o'clock Somewhere

10/10 screen prints for 5 O'clock Somewhere's Gilbert St. shop in Adelaide.

Illustrations for FahThai magazine

One of three screen prints for "You Are Here," a group exhibit curated by Everywhere We Shoot at Vinyl on Vinyl Gallery, June 2015.

Screen print for "You Are Here," a group exhibit curated by Everywhere We Shoot at Vinyl on Vinyl Gallery, June 2015.

Graphics for SBS OnDemand's movie collections. (Pictured: "Warm and Fuzzies," "Rainbow Pride," and "Fright Night") 

For FahThai Magazine

For Rogue Magazine's 8th Appetite issue. Photography by Neal Oshima. Art Direction by Miguel Lugtu.

A tribute to Arturo Luz for Rogue magazine's 2014 Art Issue